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That's a tough one... And i don't feel comfy about it on my own. Please help.
1) Recently we've been working on a identity for a hydrologist. We picked "Purista" as a leading typeface. It was ment mostly for stationery and hydrologic reports – both headlines and body text and we're happy with it's tech look. Unfortunately, we encountered a serious issue with mathematical symbos and greek, wich Purista does not support.
2) As the logo is much in sync with purista, we should stick with that one (a very close inexpensive match with support for what we need would be as perfect as is non-existent)
3) There's no budget for any high-end, multi purpose killer bundles.
Updated description: this is a contemporary serif family I'm working on since January 2010. It was initially just for personal use, but the project grow up to embrace complete Latin, Cyrillic and Greek scripts, besides phonetic alphabets, arrows and dingbats.
It's a text font and the family is planned to have several weights in roman and italic versions. I believe it will be released in early 2013.
1. it must be suitable for books and magazines, with more contrast than contemporary typefaces like Meta Serif, Greta Text or Stuart.
2. it must be clean and legible, with high x-height, generous counterspaces and reduced ornamental elements.
I am working on a redesign for a science magazine/journal and we need a sans serif font with as big a glyph set as possible, including Greeks and quantum symbols and as much math as possible.
I am in need of your suggestions.
A little background is needed: the University where I work and study is using the Angel LMS. The biblical language professors are trying to find a font that could be standardized for both Hebrew and Greek.*
What are our options, considering the following requirements:
*They're open to using separate fonts for Hebrew / Greek if needed.
[EDIT] ** Through a secure LMS.
I'd appreciate your help.
Czech type designer and typographer, writer, lecturer, the impresario of TypeTalks, and partner at Rosetta Type Foundry. He got Masters degrees in Informatics (Masaryk University, Brno) and Typeface Design (University of Reading, UK). From 2004 to 2007 he also ran his own design studio, with projects in graphic, web, and interface design. He has been working as an associate with Tiro Typeworks and giving various type workshops around Europe.
Agamemnon began as an experiment I did on Fontographer years ago. I revived it over a year ago and began discussing it here on Typophile. That original thread is here, but has become long and unwieldy, potentially frightening off new critics trying to wade through the history of revisions. I've since moved development of this font to FontForge. The ability to edit with Spiro curve technology has been invaluable!
The font could be categorized as transitional and slab serif. The serifs and horizontal strokes are cupped and curved, creating a visual texture that should maintain legibility at small sizes and great distances. The current weight, though, is a tad awkward; too heavy for a book weight, but not quite a bold.