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I am choosing between R and K. Which one is more appropriate to the design?
I recently started to create a serif with the "e" as the very first letter
and fell in love with the break in the upper bow.
This became the main idea of the type.
Starting up with the lower cases (still not all finished) it's all a big
building site but I think it's worth it.
I would really appreciate critics on my first steps on copy types
and with a little help from you, I would like to push it further!
Can't wait for your input,
I need to identify the font of the product name (i.e. Cranberry extract) of this packages (designed by Turner Duckworth).
Ode is a pleasant and vibrant family with a strong personality. It comes in five weights and is equipped with every feature a high quality text typeface needs: ligatures, extended language support and various figure sets as well as a fractions feature. Ideal for everything culinary
Find out more and try it out at
Read the (German) article about the making of on
Ode is a pleasant and vibrant family with a strong personality. It comes in five weights and is equipped with every feature a good quality text typeface needs: ligatures, extended language support and various figure sets as well as a fractions feature. Ideal for everything culinary!
Find out more and try it out at MartinPlusFonts.com
Read the (German) article about the making of on www.designmadeingermany.de
Can anybody help me with the name of this font?
I'm asked to reproduce the logo but (as you can imagine) don't want to start vectordrawing it from scratch.
Hey type geeks. :-) I'm looking for a new font for a book cover. It's for the author, Andy Andrews. If you look at the image below, notice the "the" in the title. I'm looking for something with similar flare, if you will. Appreciate any help. Thanks!!
Does anyone know this type face?
It has very curious lc 'n' and 'a'.
Mad trying to ID this face...
I'm having a heck of a time trying to identify this font. It kinda looks like Museo but it's not. The serif on the top of the capital A is missing in Museo. Anybody know what it is?
I bet this question has been asked a million times: basically, is there anything out there other than Times New Roman and Arial for the most common cross-platform fonts (for print)?
Any idea what this serif face might be? It's from NB:Studio's identity of http://www.surfaceview.co.uk/
This is a very quick and rough (very rough) draft of my typeface. I was just looking for feedback and everyones first impressions keep in mind this is my first typeface and I am relatively new to the process.
I have currently only done the lowercase just because I'm not 100% sure what direction I should be going in. I was going for an italic serif loosely based off of Bodoni and I tried to go with the Old style/ Transitional style.
First impression, critique, technical aspects any comment will be helpful thank you.
I'm really having trouble with c/e/f/y/k/s/ but of course I will take any advice on all or any of the letters.
I'm new to the website and I've found all the information here very helpful. For my senior project I chose to design a typeface from scratch, and there are some technical issues that I am having. I am making an italic serif typeface in the old style/ transitional style. I've taken some inspiration from Giambattista Bodoni's Bodoni typeface, and it will be used for displays, pull quotes, and headers.
I was just wondering if anyone can name for me a typeface with bracketed serifs and even strokes (no thin/thicks)?
I can't seem to think of, or find any with these qualities, but there MUST be some (unless it breaks some kind of rule for non-slab-serif serif fonts to NOT have thick/thin strokes?)
AND (if anyone knows) - is there a SERIF typeface based on Gill Sans that is not Perpetua? (Again, perhaps one without the humanist strokes?)
Hope someone can help!
Thanks very much,
I'm using ITC Kabel as a headline font and I'm looking for a font for the body copy that would complement it nicely. The body uses italic and roman and the type will be reversed on a dark background. So, it seems like a sans serif font would be more legible but, I don't want to use kabel for copy and I'm not sure about using two sans serif font's together.
What do you think about using two sans serif font on the same piece?
If I should stick with a serif font, what would be most legible reversed out?
I'm trying to find this font for a graphic design project. I found it on the Know How Tallinn 2009 site(http://www.trtr.ee/themes.php), and I really like the handdrawn feeling to it.
Does anyone know the name of this font? I feel like I've seen in before in some magazines.
It resembles SwiftEF a bit, but more organic and loose.
On the photo it is the blue font, the big one...
Hi everyone, I need some help identifying three typefaces. They are taken from the book Take A Closer Listen
I'm trying to source the name of this font. The closest I can find is Sabon, but the K and the descenders don't seem to match.
I searched and didn't find anything on this font. Can you name it? Thought it was HFJ's Acropolic but it's not.
I know I have come across each of these faces many times but I can't put my finger on what they are or where I saw them. Any help? It would be much appreciated.
I've been wanting to do a Baskerville for some time and finally had a long weekend to work on it. It's still really rough, but I thought I'd post and see people's thoughts.
The large title font looks familiar but I can't quite place it. Looks like one of those Edwardian revival styles of the 60s... Anyone got a clue?
Hi everyone, I'm looking for something similar to this... doesn't have to be an exact match. Would prefer if it had multiple weights though. Any thoughts?
What is this font?