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I was reviewing recently the typefaces used in Star Trek, Star Wars, Space 1999, and other science-fiction seriatum.
They share in common implausible visions of the future of typography. Most of them are impossibly Apollonian, imagining that in the future everything will be decided by reason alone, as if reason hadn't produced death camps and nuclear bombs along with vaccines and rocket ships. They are simple-minded caricatures of type, as Hrant has called Futura; they're geometric and other arbitrary conceptual distortions imposed crudely upon the gross form of the type to shock the viewer with how different and mathematical they are.