dtl

On Saturday evening 12 October 2013, the diner of the yearly ATypI (Association Typographique Internationale) conference took place at the atmospheric Winter Garden restaurant of Grand Hotel Krasnapolsky in Amsterdam. More than 300 attendees enjoyed the excellent buffet. Highlight of the evening was the presentation of the 3rd Dr. Peter Karow Award for Font Technology & Digital Typography to Dr. Donald E. Knuth, world famous for developing TeX and Metafont.

I admire deeply the work of Hendrik de Roos and Jan van Krimpen, but have been dismayed in my search to find revivals of both men's work. The two dominant Dutch foundries committed to JvK, TEFF and DTL, haven't touched Spectrum, though Monotype did a half-baked and impractical digitization. Also, though De Does' Trinité supposedly takes cues from JvK's Romanée, and TEFF is slowly working on a revival, I would like to know if those plans are still in motion. And what, then, about Cancelleresca Basterda, a face that might finally give JvK's ill-fated Romulus super-family more legitimacy, and which is quite beautiful in its own right?

Both releases are considered as definitive versions and at first sight the DTL Albertina and the MT Albertina seem to be identical to each other. But on closer inspection slight differences reveal themselves to the beholder (e.g. how the serifs flow out of the stems or how the curves are drawn).

I’ve drawn a first comparison between some of the characters. I’ve chosen the characters “E”, “F”, “e” and “c”, because “E” and “F” as well as “e” and “c” have some common ground, so that one can review the consistency and the homogeneity of the design.

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