Dear experts,

would anyone care to comment on the composition as sampled in this file?

More specifically, I would like to hear your opinions on the following points:
1) How do you find the pairing of the greek and latin fonts (p. 15)?
2) Running headers look a bit weird above secondary titles and headings (p.26). Can anything be done about that?

Hi,

I am new here and hope that I am posting in the correct place.

I was wondering if anyone knows of any musical representations of typefaces? For example, has some composed music representing the flow of a specific font etc?

Any info appreciated!

Thanks.

I've been working on a poster for a client and he totally hates it. What changes do people suggest I make to the design?

Hello fellow typophiles. Does anyone care to critique this invite I've made for my mother's birthday. It's 210 x 130mm, both sides shown, and I'd like it printed on something like 350gsm uncoated cartridge stock. I looked in foil-blocking, but that's proving too expensive and time-consuming, bearing in mind I need to get these printed ASAP. If anyone knows a way to make it a little special without costing the earth (e.g. metallic pink - that's here favourite colour). Colour used at the moment is Pantone 214, with a tint of its complement which is a process green. Any help would be appreciated. Thanks.

Hello Respected Typohiles.

Recently i tried to do an experiment of using too many typefaces in one single composition & try to make them sync together & create an interest.
I don't know did it really worked on not, but when i shared the composition with people i got a very two-sided response. Some viewers loved it in first go & agreed that this works perfectly & on the other side some viewers just totally discarded it & said its too confusing & bizarre for their eyes.

What do you all think ?
Critisim,feedback is much appreciated.Thanks!