A few people saw the original Silverback, but now it's back from the drawing board. I was so excited about the results, I thought it could deserve a new thread. Thanks to Justin_Ch and riccard0 for their thoughts on the original.

An all-caps face, Silverback was inspired by old stock certificates, bill heads, and other monetary documents.

I'm in to process of importing the characters into a font program, so please excuse any spacing issues for now. I'm really just looking for thoughts on letterforms and how they work together (if they do at all).

Here are the characters I have done so far, and the attached PDF includes some set text.

FF Suhmo
FF Suhmo is inspired by classic Egyptian and typewriter fonts such as Courier and American Typewriter, which feature headline and text use. This impressive duality was a guideline for the concept of Alex Rütten.

I'm working on the logo & wordmark for a company that will be based online (it's a music service) and aimed at Churches, primarily older and smaller high-churches, like Presbyterian, Episcopalian, Lutheran, etc.

Currently I'm using Proxima Nova or Gotham in the mockups (anyone want to weigh in on why I should pick one over the other?), set in all-caps, but I'd like to see something that looks a tiny bit more traditional. I'm thinking some slight serifs or something. Normally I'd try to solve this with a slab serif like Adele or PMN Caecilia, but it ends up looking too tough, and most serifs just look too boring to be used for an online music service.

Anyone want to take a gander at which font this is? The "M" and "N" look a lot like Neutraface or Verlag, but the "Q" is really throwing a wrench in things.

Darjeeling combines British Elegance and Indian Flavor. It is flared like Optima, with a scent of Bodoni. By layering “Regular” and “Ornaments” over each other you will create astounding pieces of colorful typography. Additionally there is “Regnaments” which combines the two other styles.

Darjeeling is great as a display font, but also perfectly legible at text sizes. Use the ornaments only to add spice to Your design.

Make sure to use applications supporting all these lavish OpenType features like small caps, various sets of figures, fractals and the 102 discretionary ligatures.

Darjeeling has been recently released at myfonts:

I am happy to announce Dezen, my new release!

Dezen is a contemporary, mechanical grotesque typeface. Its letters were first constructed from individual modules and then optically refined to enhance its rhythm. Its tight letter spacing and narrow proportions make the typeface particularly well suited for display sizes and headlines. When you add spacing, font can be used for shorter amount of text, bigger than 12 points.

The Dezen type family consists of a wide variety of styles – solid and stencil. The Dezen Pro subfamily combines all 4 styles (Solid, Stencil 01, Stencil 02, Stencil 03) in a specific sequence, which originates a “pattern” for the alphabet (or dezen, in Slovak).

Dezen Pro Regular is for free!

Buying information:

if you like modern and geometric fonts and blackletter as well, have a look at the typophile post »Fracmetrica Black .otf«

the free-font »Fracmetrica Black« is a modern and geometric blackletter with several opentype-features like ligatures, case-sensitives, text figures.
It's kind of condensed and has a high contrast. The typeface's construction is based on an isometric 60°-grid.

This is a partial draft of a contemporary serif project I'm working on. It was initially thought as a typeface for personal use, but it could be turned into a real release if the work would reach a decent level. The family is planned to have four weights in roman and italic versions.

Some ideas:

1. it must be suitable for books and magazines, but trying to use more contrast than one finds in most recent good typefaces (as Meta Serif, Greta Text, Tisa or Premiera). It's not a serif to very small sizes and low quality prints.

2. it must be clean, with a strong horizontal impression (like Utopia, Cartier, Expo Serif and the ones used in The Guardian and Hebdo newspapers redesign) and also reduced ornamental elements.

I am designing the graphic content of a small museum celebrating the Italian immigrant contribution to Australian culture. My clients want a very contemporary look. I wondered if other typophiles might be able to recommend any recent (post Novarese) type design work coming out of Italy that would be appropriate. I need display type and a type family for bigger blocks of information. Any assistance much appreciated.

One of the premier design school of The Netherlands. affiliated with the Sandberg Institute.

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