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This post describes how I have created matching Hebrew and Latin for my own font "Mike Hebrew".
I did not add this post to the "Creating a Merger of a Latin and a Non-Latin Font Style" because many of the replies did not deal with designing fonts. Furthermore don't want to be involved in criticizing other people's fonts, other people or to argue about history etc.
This design problem will be different for each kind of Hebrew font. If the Hebrew font is Frank Ruel then the solutions will be quite different to solutions that would be appropriate if the Hebrew font is Levenim. The is NO SINGLE SOLUTION.
What I write here only applies to matching the Hebrew and the Latin letters in my own "Mike Hebrew" font.
I would be curious to know who designed this. It appears to be top secret.
I was surprised not to see a long typophile thread about this thing. it's pretty horrible!
Thu, Oct 14 - Sat, Oct 16
Sheraton New York Hotel & Towers, 811 7th Ave @ 53rd St
Registration/Program Info: http://www.gainconference.aiga.org
I am part of a small studio called People Collective and we are starting a new project/experiment in the creation and distribution of type. We have written a blog post that details our plans here but in short, hope to fund the creation of a typeface through KickStarter. We'd really like to hear your thoughts on both the creation/distribution concept and the specific design options we post to the blog over the coming weeks, thanks!
-Colin & Aaron
I've been looking for a variety of good fonts that are based off old wood type specimens from the good 'ol days. I knew this would be the place to ask. Anyone know of some good digitally revived wood type fonts?
Hello. I've been a long time lurker, so I've finally decided to join in and get advice. I've been into fonts ever since I was a kid, especially those from logos. I design my own by shaping them on PowerPoint and transferring the glyphs to High-Logic's Font Creator Program.
Thus far I've done some modernized fonts based on the classic "Press Your Luck" logo; one is regular and the other is extended, but I have some fine-tuning to do (the corners of the letters are rounded or beveled, which I don't want). Ray Larabie is known for recreating fonts from logos, and though this is a parody in the same vein, do I need to seek legal permission before publishing the font?
I'm trying to gauge the importance of various collaboration scenarios... I hope you can spare a moment to consider the following scenario, and let me know your thoughts :-)
You publish a typeface family, "Alice," with 12 weights of roman and italic, covering full Latin, Cyrillic and Greek, under a 'libre' license. You publish all source files - FontLab VFBs including interpolation master outlines, OpenType feature files, and hinting files.
Just spotted the packaging:
Is it only me that wants to stick that balloon in between R & A?
Issue 4 Features:
Seattle avant-rap project Shabazz Palaces is the newest act on the Sub Pop Records roster. The mysterious crew is led by Palaceer Lazaro aka Ishmael “Butterfly” Butler, formerly of 1990s boho-hop group Digable Planets and Cherrywine.
International Competition to Recognize Designers and Websites that Integrate Web Fonts to their Greatest Use
WOBURN, Mass., Aug 17, 2010 -- Monotype Imaging Holdings Inc. (Nasdaq: TYPE), a leading global provider of text imaging solutions, has announced the Web Font Awards, an international competition designed to recognize websites that incorporate exceptional use of Web fonts. The Web Font Awards will be sponsored by Monotype Imaging with support from Carsonified, a UK-based company that produces events for Web professionals.
I am happy to announce that after a long period of development, my type family Acorde is available for purchase at http://www.willerstorfer.com
About the typeface:
Acorde is a reliable workhorse for large, demanding design projects. It was designed to be perfectly suited to all different sizes, from small continuous text to large headlines and big signage. The typeface’s name is derived from ‘a’ ‘cor’porate ‘de’sign typeface, however Acorde is not only suitable for corporate design programmes but for information design and editorial design purposes as well.
We've released several new fonts since I last visited Typophile, so here's a quick update.
We've released several new fonts since I last visited Typophile, so here's a quick update.
I will be speaking at TypeCon on the subject of my collection of vintage type and design from the English fabric trade and thought I should create a blog which gives a taste of the collection.
It is not complete or well done (I only started building it Monday) but please take a look at it here.
Best regards and maybe see you at TypeCon
I'm building a website for an law firm. My client has no logo, then I used Trajan Pro to make the ID (my focus isnt logo at now).
My focus is that welcome text (Bem Vindo in portuguese) I can't find a font that looks great to do it with others element (logo, menu and that text above).
Somebody can give me ideas? Thanks.
PS: That Picture have the company's brands fotolia because I have not bought it. I'm just doing tests.
I'm in the mist of starting a curated store/gallery in San Francisco and online that will focus on limited edition fashion, furniture, music,design, objects, art books and magazines from a specific region. The first region I'm going to focus on is Belgium. It will be a collection with vintage industrial pieces as well as "cutting edge" contemporary pieces.
I'm calling the store Highlight which is the brand name that will expand to include Highlight Belgium, Highlight California, Highlight Japan, etc. For every country or region I would like to use a specific font, however I would like the word Highlight to always stay consistent.
A few questions for you.
1. Does the community have any recommendations on a source for regional specific fonts?
I'm designing a logo for a company called Future Textiles Ltd. To give you a little overview of who they are but without boring you too much, heres a brief description:
Newly founded knitted products company Future Textiles Ltd is planning a future in technical textiles and is already developing and manufacturing products for healthcare and personal protective equipment (PPE) applications.
Hello. My name is Gokko. i have a web site and just designed. Also it is already incomplete.
In index, below menus part, i have presentation area that done in Flash.
Now, i have to design a few banner/presentation/advert image. So, to use true fonts are very important. For days i am searching tutorial about this subject and finally i've found here. In this way i made a decision to ask to you.
İf you analyze that presentation area, you will see other image. But in new images i want to use font/typography much more.
What do you say ? What should i do ? How must i use a font and design planning ?
Organisers of the International Design Festival Design Attack invite designers to submit their proposals for the exhibition "Material of the Future", a part of the first edition of Design Attack Festival, which will be held in Krakow on 6-30 November 2010.
The subject of the exhibition Material of the Future will revolve around the evolution of materials considered to be the future - from plastic (first bakelites, tomofon, the first biodegradable materials, laminates AbetPrint) towards ecology, nanotechnologies, and hybrid composites. The exhibition will present works and projects of Polish and foreign designers interested in the issue of using new materials in 3d design.
I am new to this forum, but I have been reading and learning as an anonymous visitor for quite a while. Thank you, guys, for letting your awesome expertise be available to dilettantes like me!
Here's my first question:
Do any of you know any good examples of the use of Compacta. I recently used it for a project, after having researched which font to use for a few months, and can't entirely stop. Here's what triggered my use of the font, a cover I spotted while the camera trucked over a magazine rack in Jean-Luc Godard's "Sympathy for the Devil" (1968).
Is there a reference that explains italic/oblique letterforms in a similar way to Karen Cheng's Designing Type? I'm looking for a book that at least shows axial stresses, relative proportions, and some width measurements to compare. Haven't had any luck in finding even something close to this, and feel like it'd be really helpful. (hopefully the information isn't in some out of print volume…)
Im new to this forum, so a quick hello!
I'm about to undertake a redesign of a well loved Australian bodyboarding magazine.
We are currently using Helvetica Neue as body copy, Corporate SQ for captions and Folio's.
I am looking to find a typeface that is contemporary, clean, and legible. Our core reader group is aged 15 - 25 with that age increasing over the last few years. The magazine is youth oriented, fun, exciting and has been at the top of the genre for just over 20 years.
In my opinion, serif fonts are the best for body copy, but i was wondering if there was a classy sans-serif font that would do the job nicely. the magazine still has to be relevant to the youth market, but i wish to add a touch of class and sophistication to the mag.