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For the cases where you have light and dark extremes on a weight axis, how do you guys decide where to "place" the eventual weights of the font? I'm wondering not just about the -somewhat subjective, or at least vague- issue of what's a good "Regular" weight, but also what relationships the different weights in a family should have, especially when there are more than two weights released.
This question isn't new in my mind, but it was rekindled by looking at Terminal Design's Giacomo* - so I very much hope James will participate.