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The older faces such as Garamond and Bodoni, for which there are no extant working drawings, have of necessity been digitized with reference to printed specimens. Ironically, more recent better-documented designs such as Electra and Fairfield have perhaps suffered through not being digitized in this manner.
Which are the 20th century faces that have been digitized from printed specimens, with the attempt to create, in high-res offset output, a facsimile of letterpress typography?