Test Print-outs

dux
9.Apr.2006 10.31am
dux's picture

How do all —

I read recently in Mathew Carter’s interview in the New Yorker, that once he has a character set scratched out, he does about 40 pages of print-outs for observation and to adjust any discrepencies he finds (whilst also feeling like hanging himself, apparently!?).

I’m designing a headline font and am doing the usual kind of prints — pangrams of uc/lc — mixed sets — mixed with numerals — the various sizes I see it being used at — and a cobbled mix of the special characters used in context. Basically I’ve no idea how anyone else makes their test pages and am just curious as to whether there could be a better way. And I print no-where near 40 pages, but again this is just display. I did some searches and couldnt find any literature on this. Would be nice to put together a master indesign doc I could use.



sii
9.Apr.2006 10.47am
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Many/most type designers have built up a suite of test documents, but they tend to keep these to themselves. I don’t know of an online collection of these.


dux
9.Apr.2006 11.02am
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I’m sure they do. I’m not necessarily after any example pdfs per se — just some clues/insights.


Ricardo Cordoba
9.Apr.2006 10.37pm
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Leslie Cabarga has a text sample he calls “Kern King,” for testing you-know-what, on his Logo, Font and Lettering Bible website, in case you’d like to check it out.


dan_reynolds
10.Apr.2006 12.17am
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The problem with so many test documents available is that they don’t have dummy CE text in them! How am I supposed to test all of my Pro accents?


raph
10.Apr.2006 1.00am
raph's picture

For testing all digraphs, rather than the majority of those that will appear in western languages, try the random all-digraph psuedotext. But I wouldn’t rely on it too heavily, because its letter distribution makes it look quite different from real text. Its main benefit is probably to find oddball kern problems such as ’qj’.

More immediately useful, I think, would be a text devoid of kern pairs, but still representing all letters and most high-frequency digraphs. That would let you focus on getting the side bearings right before diving in too deeply to tweaking the individual kern pairs - having lots of kerns to make up for poor basic fit is the classic mark of an amateur type release, and was certainly a problem in my first couple of tries in spacing my ATF Century Catalogue (see IKern vs Adobe InDesign's optical kerning and bouma of space craft for a more discussion from around that time).


dux
10.Apr.2006 10.56am
dux's picture

cheers chaps