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 <title>Typophile - Origin of blackletter use in gang tattoos - Comments</title>
 <link>http://typophile.com/node/42260</link>
 <description>Comments for &quot;Origin of blackletter use in gang tattoos&quot;</description>
 <language>en</language>
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 <title>As James Puckett mentions,</title>
 <link>http://typophile.com/node/42260#comment-263673</link>
 <description>&lt;p&gt;As James Puckett mentions, there were printing presses in Mexico who stocked up on Blackletter. In short, it was said that this influenced the signpainters in Mexico to create signage in blackletter styles, eventually becoming a standard in headline fonts/hand lettering. It made its way up to the US as people migrated north. &lt;/p&gt;
&lt;p&gt;Early Hip-Hop (early 70&amp;#8217;s) actually did have gangs, most notable are the &amp;#8217;black spades&amp;#8217; which became the Zulu Nation. The activities included DJ&amp;#8217;ing, Bboy&amp;#8217;ing, MC&amp;#8217;ing, &amp;amp; Writing/graffiti – all hobbies which predate &amp;#8220;hip-hop&amp;#8221;. Style Wars itself is actually not a documentary on &amp;#8217;early&amp;#8217; graffiti, as it was filmed when NYC graffiti was about 12 years old. Illegal graffiti actually has its origins decades before, which is where blackletter comes back into the picture.&lt;/p&gt;
&lt;p&gt;Besides hobo graffiti (possibly dating back to WW1), Cholo graffiti is known as one of the first forms of illegal writing and was done in blackletter inspired forms. It is said that shoe shine boys started it all, marking their places with daubers, eventually transcending into gangs marking territory. Chaz Bojorquez, an original cholo style graffiti artist, mentions... &lt;/p&gt;
&lt;p&gt;&amp;#8220;This squarish, prestigious typeface was meant to present to the public a formal document, encouraging gang strength, and creating an aura of exclusivity.&amp;#8221; &lt;/p&gt;
&lt;p&gt;Chaz would probably be a great resource for you if you are into learning more about the cholo blackletter evolution. And &lt;a href=&quot;http://www.graffitiverite.com/cb-cholowriting.htm&quot;&gt;here&lt;/a&gt; is the article I quoted him from. &lt;/p&gt;
&lt;p&gt;An interesting thing to note is that current (non-gang) graffiti has seen a small trend of artists painting their versions of blackletter. Here are a few:&lt;/p&gt;
&lt;p&gt;&lt;div class=&quot;imageWrap&quot;&gt;&lt;img src=&quot;/files/84042745_95ef3dd4f2_5004.jpg&quot; /&gt;&lt;/div&gt;&lt;br /&gt;
&amp;#8220;Seventh Letter&amp;#8221; by Eklips&lt;/p&gt;
&lt;p&gt;&lt;div class=&quot;imageWrap&quot;&gt;&lt;img src=&quot;/files/retna_4018.jpg&quot; /&gt;&lt;/div&gt;&lt;br /&gt;
&amp;#8220;MINDS SEEK KNOWLEDGE, REVOKSABERRETNA&amp;#8221; Detail of a wall. Lettering by Retna&lt;/p&gt;
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 <pubDate>Tue,  4 Mar 2008 23:30:48 -0800</pubDate>
 <dc:creator>Wes Wong</dc:creator>
 <guid isPermaLink="false">comment 263673 at http://typophile.com</guid>
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 <title>It is said that shoe shine</title>
 <link>http://typophile.com/node/42260#comment-263684</link>
 <description>&lt;p&gt;&lt;cite&gt;It is said that shoe shine boys started it all, marking their places with daubers&lt;/cite&gt;&lt;/p&gt;
&lt;p&gt;fantastic&lt;/p&gt;
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 <pubDate>Tue,  4 Mar 2008 16:06:11 -0800</pubDate>
 <dc:creator>jupiterboy</dc:creator>
 <guid isPermaLink="false">comment 263684 at http://typophile.com</guid>
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 <title>hm, what about ornamental &amp;</title>
 <link>http://typophile.com/node/42260#comment-261002</link>
 <description>&lt;p&gt;hm, what about ornamental &amp;amp; playful, but edgy instead of smooth?&lt;/p&gt;
&lt;p&gt;Or, the other way round: are there other typefaces that would match with these specifiations?&lt;/p&gt;
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 <pubDate>Sat, 23 Feb 2008 08:20:51 -0800</pubDate>
 <dc:creator>tina</dc:creator>
 <guid isPermaLink="false">comment 261002 at http://typophile.com</guid>
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 <title>Following up on</title>
 <link>http://typophile.com/node/42260#comment-260979</link>
 <description>&lt;p&gt;Following up on russellim&amp;#8217;s perspective, I had inferred that blackletter appeals not because of associations directly with authority or religion, but with the semi-chivalric ethos that many gangs cultivate. If that&amp;#8217;s correct, &amp;#8220;authority&amp;#8221; and &amp;#8220;religion&amp;#8221; come along as ingredients to a worldview wherein the gang member is a &lt;em&gt;knight&lt;/em&gt;; a bike is his &lt;em&gt;horse&lt;/em&gt;; he is associated with a &lt;em&gt;lady&lt;/em&gt;; loyalty to turf, group, and leader is the fundamental law; and one protects all these by violence as necessary.&lt;/p&gt;
&lt;p&gt;No other design connotes that chivalric ethos, so far as I can recall early on a Saturday morning, as well as blackletter does &amp;#8212; and blackletter subsequently signals &amp;#8220;strength&amp;#8221; and &amp;#8220;danger&amp;#8221; from its association (justified or not) with German authoritarianism, religious deviance, and other anti-bourgeois American phenomena.&lt;/p&gt;
&lt;p&gt;Don&amp;#8217;t ask how I came by this conclusion.&lt;/p&gt;
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 <pubDate>Sat, 23 Feb 2008 04:54:22 -0800</pubDate>
 <dc:creator>akma</dc:creator>
 <guid isPermaLink="false">comment 260979 at http://typophile.com</guid>
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 <title>http://atypi.org/30_past_conf</title>
 <link>http://typophile.com/node/42260#comment-260974</link>
 <description>&lt;p&gt;&lt;a href=&quot;http://atypi.org/30_past_conferences/06_Lisbon/30_program/40_speakers/view_person_html?personid=1601&quot; title=&quot;http://atypi.org/30_past_conferences/06_Lisbon/30_program/40_speakers/view_person_html?personid=1601&quot;&gt;http://atypi.org/30_past_conferences/06_Lisbon/30_program/40_speakers/vi...&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;http://www.atypi.org/30_past_conferences/06_Lisbon/30_program/20_main_program/view_presentation_html?presentid=239&quot; title=&quot;http://www.atypi.org/30_past_conferences/06_Lisbon/30_program/20_main_program/view_presentation_html?presentid=239&quot;&gt;http://www.atypi.org/30_past_conferences/06_Lisbon/30_program/20_main_pr...&lt;/a&gt;&lt;br /&gt;
Chastanet&amp;#8217;s book: &lt;a href=&quot;http://www.francoischastanet.com/index.php?id=works&amp;amp;w=b&amp;amp;item=1&quot; title=&quot;http://www.francoischastanet.com/index.php?id=works&amp;amp;w=b&amp;amp;item=1&quot;&gt;http://www.francoischastanet.com/index.php?id=works&amp;amp;w=b&amp;amp;item=1&lt;/a&gt;&lt;br /&gt;
this article: &lt;a href=&quot;http://glaze0101.com/index.php?s=ttsss&amp;amp;sbutt=Go&quot; title=&quot;http://glaze0101.com/index.php?s=ttsss&amp;amp;sbutt=Go&quot;&gt;http://glaze0101.com/index.php?s=ttsss&amp;amp;sbutt=Go&lt;/a&gt;&lt;br /&gt;
article in eye magazine: &lt;a href=&quot;http://www.eyemagazine.com/feature.php?id=123&amp;amp;fid=540&quot; title=&quot;http://www.eyemagazine.com/feature.php?id=123&amp;amp;fid=540&quot;&gt;http://www.eyemagazine.com/feature.php?id=123&amp;amp;fid=540&lt;/a&gt;&lt;/p&gt;
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 <pubDate>Sat, 23 Feb 2008 02:33:01 -0800</pubDate>
 <dc:creator>tina</dc:creator>
 <guid isPermaLink="false">comment 260974 at http://typophile.com</guid>
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 <title>Do you have a like to that?</title>
 <link>http://typophile.com/node/42260#comment-260920</link>
 <description>&lt;p&gt;Do you have a like to that?&lt;/p&gt;
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 <pubDate>Fri, 22 Feb 2008 16:35:31 -0800</pubDate>
 <dc:creator>Eben Sorkin</dc:creator>
 <guid isPermaLink="false">comment 260920 at http://typophile.com</guid>
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<item>
 <title>See also Lisbon ATypI:</title>
 <link>http://typophile.com/node/42260#comment-260918</link>
 <description>&lt;p&gt;See also Lisbon ATypI: François Chastanet: &amp;#8220;Pixaçao letterforms – From European Antiquity to Brazilian shantytowns&amp;#8221;. &lt;/p&gt;
&lt;p&gt;Chastanet&amp;#8217;s theory about the evolution of the special Sao Paolo graffity letter forms was based on influences by logos and album covers on 70/80ies rock band albums as well as black letter forms. He showed several charts and provided a theory about the formal development as well as lots of information about the general background.&lt;/p&gt;
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 <pubDate>Fri, 22 Feb 2008 16:28:55 -0800</pubDate>
 <dc:creator>tina</dc:creator>
 <guid isPermaLink="false">comment 260918 at http://typophile.com</guid>
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 <title>“Jethroplex”! Wow.</title>
 <link>http://typophile.com/node/42260#comment-260811</link>
 <description>&lt;p&gt;&lt;cite&gt;“Jethroplex”! Wow. That’s a tasty one. Is that your or is it in common currency in TX?&lt;/cite&gt;&lt;/p&gt;
&lt;p&gt;Can&amp;#8217;t take credit.&lt;/p&gt;
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 <pubDate>Fri, 22 Feb 2008 09:24:21 -0800</pubDate>
 <dc:creator>jupiterboy</dc:creator>
 <guid isPermaLink="false">comment 260811 at http://typophile.com</guid>
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 <title>hiroshige, i’m trying to</title>
 <link>http://typophile.com/node/42260#comment-260667</link>
 <description>&lt;p&gt;hiroshige, i&amp;#8217;m trying to understand : everything you attribute to the power of the blackletters is meaningful in three possible contexts : animal (pleasure), intellectual (aesthetix) and cultural (community). i doubt the 1st one, (depending on who actually made the cave paintings), i appreciate the 2nd but believe it to be incomplete in this case, and i have reliable experience with the 3rd. &lt;/p&gt;
&lt;p&gt;&amp;gt;&amp;gt;You should really get more. &lt;/p&gt;
&lt;p&gt;not sure what you meant there, but i generally agree. i&amp;#8217;m adding to my left sleeve next month. i hang out with plenty of ink &amp;amp; inkers, i&amp;#8217;m well inked, and i&amp;#8217;ve not heard much tat talk, even among the art-schooled, about the formal aspects of the letterforms, let alone the word blackletter. but i&amp;#8217;ve heard plenty about heritage, background, symbolism, deeply associational threads, the meaning of the personal choices. &lt;/p&gt;
&lt;p&gt;academics aside, the power of the letters may be in the crazy fun of them, but very much also in all the associations they bring to play.&lt;/p&gt;
&lt;p&gt;smiling emoticon&lt;/p&gt;
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 <pubDate>Fri, 22 Feb 2008 06:04:59 -0800</pubDate>
 <dc:creator>Ch</dc:creator>
 <guid isPermaLink="false">comment 260667 at http://typophile.com</guid>
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 <title>I know what you mean, but</title>
 <link>http://typophile.com/node/42260#comment-260690</link>
 <description>&lt;p&gt;&lt;em&gt;I know what you mean, but those Ws…&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Maybe so. Since Godwin&amp;#8217;s already been invoked, I can say: they look closer to &lt;a class=&quot;freelinking-external&quot; href=&quot;http://en.wikipedia.org/wiki/SS_unit_insignia&quot;&gt;SS insignia&lt;/a&gt; than to blackletter.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;plus I’m thinking about what František Štorm says about Teuton, which could be an interesting addition to this thread.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Thanks for that link - good stuff.&lt;/p&gt;
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 <pubDate>Thu, 21 Feb 2008 20:08:57 -0800</pubDate>
 <dc:creator>eliason</dc:creator>
 <guid isPermaLink="false">comment 260690 at http://typophile.com</guid>
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 <title>“Jethroplex”! Wow.</title>
 <link>http://typophile.com/node/42260#comment-260683</link>
 <description>&lt;p&gt;&amp;#8220;Jethroplex&amp;#8221;! Wow. That&amp;#8217;s a tasty one. Is that your or is it in common currency in TX?&lt;/p&gt;
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 <pubDate>Thu, 21 Feb 2008 18:35:49 -0800</pubDate>
 <dc:creator>Eben Sorkin</dc:creator>
 <guid isPermaLink="false">comment 260683 at http://typophile.com</guid>
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 <title>and like black magic and</title>
 <link>http://typophile.com/node/42260#comment-260675</link>
 <description>&lt;p&gt;&lt;cite&gt;and like black magic and Satanism, it’s not really a departure from religion, it’s just a perversion, or at least, different take on it&lt;/cite&gt;&lt;/p&gt;
&lt;p&gt;Yes. The &amp;#8220;Satanists&amp;#8221; tend to appear in direct proportion to the fundamentalist born-agains. Here in the Jethroplex we have more churches, more strip clubs and more pyramid schemes than anywhere else in the states. Maybe I&amp;#8217;ll escape…&lt;/p&gt;
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 <pubDate>Thu, 21 Feb 2008 17:27:56 -0800</pubDate>
 <dc:creator>jupiterboy</dc:creator>
 <guid isPermaLink="false">comment 260675 at http://typophile.com</guid>
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 <title>Going back to the Elvis</title>
 <link>http://typophile.com/node/42260#comment-260672</link>
 <description>&lt;p&gt;Going back to the Elvis cover above, I think that There has for a long time been a biblical association with blackletter - by the same people who call it Gothic and Old English and used it with great solemnity. I think that by extension, since many &amp;#8220;bad-boy&amp;#8221; heavy metal bands, use black magic and evil-uber-bad devil-worship themes, blackletter is the perfect choice beause of the irreverence, and like black magic and Satanism, it&amp;#8217;s not really a departure from religion, it&amp;#8217;s just a perversion, or at least, different take on it. You can&amp;#8217;t reject something if you don&amp;#8217;t first acknowledge it. Gangs - Biker gangs in particular, tend to use death&amp;#8217;s heads, a devils and tombstones to represent their chosen place as outsiders, (... outlaws, 1%ers, etc.) The religious reference of blackletter lettering suggests what it is you are outside of. Biker gangs and street gangs aren&amp;#8217;t the same thing, but there could easily be some cross pollination.&lt;/p&gt;
&lt;p&gt;And, for all the rough and tough-guy swaggering of gang types, there is quite a bit of flat-out sappy sentimentally to tattoo art. Could be that the choice of lettering for - oh, I don&amp;#8217;t know... &amp;#8220;R.I.P. Mom&amp;#8221; could influence the lettering chosen for gang related tattoos. &lt;/p&gt;
&lt;p&gt;&lt;div class=&quot;imageWrap&quot;&gt;&lt;img src=&quot;/files/new-7_3510.jpg&quot; /&gt;&lt;/div&gt;&lt;/p&gt;
&lt;p&gt;-=®=-&lt;/p&gt;
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 <pubDate>Thu, 21 Feb 2008 17:12:19 -0800</pubDate>
 <dc:creator>russellm</dc:creator>
 <guid isPermaLink="false">comment 260672 at http://typophile.com</guid>
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 <title>I’ve been looking at the</title>
 <link>http://typophile.com/node/42260#comment-260671</link>
 <description>&lt;p&gt;&lt;em&gt;I’ve been looking at the early gangsta rap for a first instance and I’m not coming up with much.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Me neither. But here&amp;#8217;s 1992:&lt;br /&gt;
&lt;div class=&quot;imageWrap&quot;&gt;&lt;img src=&quot;/files/bodycount92_6660.jpg&quot; /&gt;&lt;/div&gt;&lt;/p&gt;
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 <pubDate>Thu, 21 Feb 2008 16:49:52 -0800</pubDate>
 <dc:creator>eliason</dc:creator>
 <guid isPermaLink="false">comment 260671 at http://typophile.com</guid>
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 <title>They’ll be on my type</title>
 <link>http://typophile.com/node/42260#comment-260637</link>
 <description>&lt;p&gt;They&amp;#8217;ll be on my type b&amp;#8217;logue before too long. You can see sketches of my lowercase and figures there now.&lt;/p&gt;
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 <pubDate>Thu, 21 Feb 2008 14:05:38 -0800</pubDate>
 <dc:creator>David Sudweeks</dc:creator>
 <guid isPermaLink="false">comment 260637 at http://typophile.com</guid>
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 <title>Origin of blackletter use in gang tattoos</title>
 <link>http://typophile.com/node/42260</link>
 <description>&lt;p&gt;Hi everyone,&lt;/p&gt;
&lt;p&gt;I&amp;#8217;m preparing a talk on typeface selection which includes a section about cultural significance of type. There is a missing link though. I know that the use of blackletter on rap album covers stems from the gang tattoos, but how/why did blackletter become the preferred type style for those tattoos?&lt;/p&gt;
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 <comments>http://typophile.com/node/42260#comments</comments>
 <category domain="http://typophile.com/taxonomy/term/4">General Discussions</category>
 <pubDate>Tue, 19 Feb 2008 16:40:19 -0800</pubDate>
 <dc:creator>Bald Condensed</dc:creator>
 <guid isPermaLink="false">42260 at http://typophile.com</guid>
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